JP2 to RAF Converter
Convert JP2 to RAF in your browser. You download a Linear DNG (.dng), not a .raf: only a Fujifilm camera can create a genuine RAF, and every editor that opens RAF also opens DNG. Nothing is uploaded.
- Processed locally
- No upload, no wait
- No sign-up
- No watermark
Drop images here
or choose files · paste with Ctrl/⌘ V
JP2 expected · other image formats also work
How to use JP2 to RAF
- 1
Add your JP2 files: drop them here, choose them, or paste from the clipboard.
- 2
Pick the colour that replaces transparent areas, since DNG has none.
- 3
Click Convert. Each file is decoded and encoded in a background thread on this device.
- 4
Download the .dng files one at a time or together as a ZIP.
Why use Aback Images for jp2 to raf
Where a RAF would go
RAF files are opened by Fujifilm X RAW Studio, Lightroom, Photoshop Camera Raw, Capture One and darktable, and every one of them opens the DNG too.
DNG next to JP2
The DNG is written uncompressed, so expect it to be several times larger than the JP2, which stores wavelet coding: reversible 5/3 for lossless files, irreversible 9/7 for lossy ones.
Written without a lossy pass
The DNG is written uncompressed, so the pixels decoded from the JP2 arrive unchanged, apart from precision beyond 8 bits per channel.
Processed on your device
Your images are decoded, edited and encoded inside this browser tab by Web Workers. Nothing is uploaded to a server.
JP2 vs RAF
What changes from JP2 to RAF
Encoding: the JP2 uses wavelet coding: reversible 5/3 for lossless files, irreversible 9/7 for lossy ones; RAF uses uncompressed or lossless compressed sensor data in Fujifilm's own container, and the download is a Linear DNG: demosaiced 8-bit RGB with the colour matrices raw editors need.
Bit depth: up to 16 bits per channel is common, more is possible in the JP2; RAF allows 12 to 16 bits per channel depending on the camera, and the DNG written here has 8 bits per channel, linearised. 12 and 16-bit JPEG 2000 files are reduced to 8 bits per channel.
Colour: sRGB, greyscale, YCC or a space described by an ICC profile in the JP2; RAF supports camera RGB from an X-Trans 6×6 or Bayer 2×2 mosaic, written here as 8-bit sRGB.
Transparency: the JP2 stores it as an extra component flagged as opacity; the DNG has none, so transparent areas are filled with the colour you choose.
Metadata: the JP2 can carry XML, ICC and resolution boxes; RAF can carry EXIF and Fujifilm maker notes, including the Film Simulation, but nothing is copied across.
About JP2
JPEG 2000 is a wavelet-based format that can be truly lossless or lossy, handles very high bit depths and huge images, and is used where long-term fidelity matters: archives, medicine, satellites and digital cinema.
A .jp2 file is a box structure: a 12-byte signature box, an 'ftyp' box, a 'jp2h' header box with the size and colour specification, then the 'jp2c' box holding the codestream, which begins with FF 4F FF 51.
JP2 files usually come from libraries and digital archives, medical (DICOM) and satellite imaging, and digital cinema packages.
About RAF
RAF is the raw format of Fujifilm cameras, from the X series to the medium-format GFX. Most X-series bodies use an X-Trans sensor with a 6×6 colour filter pattern instead of the usual Bayer 2×2.
RAF is not TIFF at the top level: it opens with the text 'FUJIFILMCCD-RAW', then a header with the camera model and offsets to three blocks: a JPEG preview near the start of the file, a header describing the sensor layout, and the sensor data.
RAF files come from Fujifilm X-T, X-H, X-S, X-E, X100 and GFX cameras.
When converting JP2 to RAF makes sense
Forms and workflows that ask for RAF usually feed a raw editor, and each of those opens DNG as well, so the DNG can take the RAF's place. Keep the JP2 if you only need to view or share the picture.
What RAF offers when it comes straight from the camera: Film Simulation baked into the embedded JPEG; Lossless compressed option on recent bodies; Large medium-format files from GFX cameras. Its drawbacks: Fujifilm's own container rather than TIFF; X-Trans demosaicing differs between raw editors; Film Simulations need camera-matching profiles in third-party editors.
Limitations
- A JPEG 2000 file may be a lossless master or a lossy derivative; the file does not tell you which at a glance, so keep the original either way.
- Archival scans can be tens of thousands of pixels across, and decoding them needs a lot of memory on a phone.
- The DNG holds the decoded 8-bit pixels, so it adds no dynamic range or detail beyond the JP2.
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Frequently asked questions
Why do I get a .dng file instead of a .raf?
A real RAF is written by Fujifilm cameras and holds the sensor's own readings (12 to 16 bits per channel depending on the camera, stored as uncompressed or lossless compressed sensor data in Fujifilm's own container) along with EXIF and Fujifilm maker notes, including the Film Simulation. A JP2 holds no sensor data, so no software outside the camera can create a genuine RAF. The Linear DNG you get instead is Adobe's open raw format, and every editor that opens RAF files opens it with the same raw controls. It holds decoded pixels, so it adds no quality or dynamic range.
Does converting JP2 to RAF lose quality?
DNG is written uncompressed, so the pixels are stored exactly as decoded. 12 and 16-bit JPEG 2000 files are reduced to 8 bits per channel.
What happens to transparency when converting JP2 to RAF?
JP2 stores transparency as an extra component flagged as opacity. DNG has no alpha channel, so transparent pixels are composited onto a solid colour, white unless you pick another. To keep transparency, convert to PNG, WebP or AVIF instead.
Are my images uploaded anywhere?
No. Processing happens inside your browser with WebAssembly and Web Workers. The site only downloads the app code and codecs; your files never leave your device. You can confirm this with the live upload counter on the tool, or in your browser's network panel.
Can I process many files at once?
Yes. Drop a whole selection or folder. Files are processed in parallel on several worker threads, each result can be downloaded on its own, and everything can be saved as one ZIP.
Is it free? Is there a file limit or watermark?
It is free with no account, no watermark and no daily limit. The only limit is your device's memory: very large images (over roughly 100 megapixels) may be refused to keep the tab from crashing.