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RAF to JP2 Converter

Convert RAF to JP2 in your browser. The JPEG preview is converted, and it already carries the Film Simulation (Provia, Velvia, Classic Chrome and so on) chosen in camera. No raw development happens here. You get a lossless JPEG 2000 (.jp2) using the reversible 5/3 wavelet. Nothing is uploaded.

  • Processed locally
  • No upload, no wait
  • No sign-up
  • No watermark

Drop images here

or choose files · paste with Ctrl/⌘ V

RAW expected · other image formats also work

Files are processed on this device. Nothing is uploaded.0 B uploaded

How to use RAF to JP2

  1. 1

    Add your RAF files: drop them here, choose them, or paste from the clipboard.

  2. 2

    There is nothing to tune: the JP2 is written losslessly. Resizing and rotating are under More options if you need them.

  3. 3

    Click Convert. Each file is decoded and encoded in a background thread on this device.

  4. 4

    Download the .jp2 files one at a time or together as a ZIP.

Why use Aback Images for raf to jp2

Where the JP2 goes next

JP2 opens in macOS Preview, GIMP, IrfanView, XnView, ImageMagick and the OpenJPEG tools.

JP2 next to RAF

The JP2 holds the camera preview's pixels with lossless compression: usually smaller than a 20 to 60 MB raw file, though far larger than a JPEG of the same photo.

No new artefacts

The preview inside the RAF is a camera JPEG; the JP2 stores its decoded pixels losslessly, so this step adds no compression damage of its own.

Processed on your device

Your images are decoded, edited and encoded inside this browser tab by Web Workers. Nothing is uploaded to a server.

RAF vs JP2

What changes from RAF to JP2

Encoding: the RAF uses uncompressed or lossless compressed sensor data in Fujifilm's own container; JP2 uses wavelet coding: reversible 5/3 for lossless files, irreversible 9/7 for lossy ones, and the download is a lossless JPEG 2000 (.jp2) using the reversible 5/3 wavelet.

Bit depth: 12 to 16 bits per channel depending on the camera in the RAF; JP2 allows up to 16 bits per channel is common, more is possible, and the JP2 written here has 8 bits per channel. The sensor's 12 to 16 bits are not used: the 8-bit camera preview is converted.

Colour: camera RGB from an X-Trans 6×6 or Bayer 2×2 mosaic in the RAF; JP2 supports sRGB, greyscale, YCC or a space described by an ICC profile, written here as 8-bit sRGB.

Metadata: the RAF can carry EXIF and Fujifilm maker notes, including the Film Simulation; JP2 can carry XML, ICC and resolution boxes, but nothing is copied across.

About RAF

RAF is the raw format of Fujifilm cameras, from the X series to the medium-format GFX. Most X-series bodies use an X-Trans sensor with a 6×6 colour filter pattern instead of the usual Bayer 2×2.

RAF is not TIFF at the top level: it opens with the text 'FUJIFILMCCD-RAW', then a header with the camera model and offsets to three blocks: a JPEG preview near the start of the file, a header describing the sensor layout, and the sensor data.

RAF files usually come from Fujifilm X-T, X-H, X-S, X-E, X100 and GFX cameras.

About JP2

JPEG 2000 is a wavelet-based format that can be truly lossless or lossy, handles very high bit depths and huge images, and is used where long-term fidelity matters: archives, medicine, satellites and digital cinema.

A .jp2 file is a box structure: a 12-byte signature box, an 'ftyp' box, a 'jp2h' header box with the size and colour specification, then the 'jp2c' box holding the codestream, which begins with FF 4F FF 51.

When converting RAF to JP2 makes sense

JP2 is the better choice for archival masters and specialist imaging, while RAF suits editing Fujifilm photos in a raw developer.

JP2 strengths: True lossless mode; High bit depths and very large images; Standardised for archives and digital cinema. Drawbacks to weigh: Browsers do not display it; Slow to encode and decode; Patchy support in everyday apps.

Limitations

  • X-Trans sensor data is never demosaiced here, so none of the artefacts some raw developers produce from it appear.
  • Lossless JPEG 2000 is larger than a lossy one, but usually smaller than an uncompressed TIFF of the same pixels.
  • No current browser displays JP2 by default; archive and imaging software opens it.

Frequently asked questions

Does converting RAF to JP2 lose quality?

JP2 is written losslessly, so the pixels are stored exactly as decoded. Those pixels come from the camera's JPEG preview, so its compression stays, but nothing new is lost. The sensor's 12 to 16 bits are not used: the 8-bit camera preview is converted.

Is the JPEG 2000 file lossless?

Yes. It is written with JPEG 2000's reversible 5/3 wavelet, so decoding it gives back exactly the pixels that went in. The trade-off is size: a lossless JP2 is larger than a lossy one, though usually smaller than an uncompressed TIFF.

Which apps open JP2 files?

MacOS Preview, GIMP, IrfanView, XnView, ImageMagick and the OpenJPEG tools. It does not open in web browsers by default.

Are my images uploaded anywhere?

No. Processing happens inside your browser with WebAssembly and Web Workers. The site only downloads the app code and codecs; your files never leave your device. You can confirm this with the live upload counter on the tool, or in your browser's network panel.

Can I process many files at once?

Yes. Drop a whole selection or folder. Files are processed in parallel on several worker threads, each result can be downloaded on its own, and everything can be saved as one ZIP.

Is it free? Is there a file limit or watermark?

It is free with no account, no watermark and no daily limit. The only limit is your device's memory: very large images (over roughly 100 megapixels) may be refused to keep the tab from crashing.