EXR to AVIF Converter

Encoding: the EXR uses none, RLE, ZIP, PIZ, PXR24, B44 or DWA, chosen per file; AVIF uses lossy or lossless AV1 intra-frame coding, and the download is an AVIF encoded with libavif (AV1) compiled to WebAssembly, at the quality you choose.

Bit depth: 16-bit half or 32-bit floating point per channel in the EXR; AVIF allows 8, 10 or 12 bits per channel, and the AVIF written here has 8 bits per channel. Floating-point values are mapped to 8 bits per channel, and anything brighter than white clips.

Colour: scene-linear RGB, often ACEScg or linear Rec.709 in the EXR; AVIF supports YUV 4:4:4 or 4:2:0 with BT.709, Display P3 or BT.2020 primaries, HDR curves possible, written here as 8-bit sRGB.

Transparency: the EXR stores it as an A channel stored like any other channel; the AVIF keeps it as an auxiliary AV1 image stored beside the colour image.

Other images: the EXR can hold extra channels (depth, normals, render passes) and multiple parts; only the main image is converted.

Metadata: the EXR can carry named header attributes such as chromaticities, timecode and camera data; AVIF can carry EXIF, XMP and ICC stored as HEIF items, but nothing is copied across.

OpenEXR is the high dynamic range format of film visual effects. It stores half or full floating-point channels in linear light, plus any extra render passes, and is the working format of compositing pipelines.

An EXR starts with the magic number 76 2F 31 01 and a version field, then a header of named, typed attributes (channels, compression, dataWindow, displayWindow) and a table of offsets to scanline or tile blocks.

EXR files usually come from 3D renderers and compositing in Nuke, Blender, Houdini, After Effects and DaVinci Resolve.

AVIF uses the AV1 video codec for still images. It is the most efficient widely supported format, often half the size of JPEG, with HDR, wide colour and transparency, but encoding is slow.

An AVIF is a HEIF file, the same ISO base media boxes as MP4, with the brand 'avif'. The picture is an AV1 key frame stored as an image item, and its size, colour and pixel layout are item properties.

AVIF is the better choice for maximum compression on modern websites, while EXR suits visual effects, compositing and 3D render output.

AVIF strengths: Often 50% smaller than JPEG; Excellent at low quality settings; Transparency, HDR and 10/12-bit colour. Drawbacks to weigh: Slow to encode, especially on phones; Not supported by some older software; Can smooth away fine texture at low quality.