RAF to DNG Converter
Convert RAF to DNG in your browser. The JPEG preview is converted, and it already carries the Film Simulation (Provia, Velvia, Classic Chrome and so on) chosen in camera. No raw development happens here. You get a Linear DNG: demosaiced 8-bit RGB with the colour matrices raw editors need. Nothing is uploaded.
- Processed locally
- No upload, no wait
- No sign-up
- No watermark
Drop images here
or choose files · paste with Ctrl/⌘ V
RAW expected · other image formats also work
How to use RAF to DNG
- 1
Add your RAF files: drop them here, choose them, or paste from the clipboard.
- 2
There is nothing to tune: the DNG is written uncompressed. Resizing and rotating are under More options if you need them.
- 3
Click Convert. Each file is decoded and encoded in a background thread on this device.
- 4
Download the .dng files one at a time or together as a ZIP.
Why use Aback Images for raf to dng
Where the DNG goes next
DNG opens in Lightroom, Photoshop Camera Raw, Capture One, darktable, RawTherapee, Affinity Photo and macOS Photos.
DNG next to RAF
The DNG stores the camera preview's pixels uncompressed, so it can be as large as the 20 to 60 MB raw file, or larger, depending on the preview's resolution.
No new artefacts
The preview inside the RAF is a camera JPEG; the DNG stores its decoded pixels uncompressed, so this step adds no compression damage of its own.
Processed on your device
Your images are decoded, edited and encoded inside this browser tab by Web Workers. Nothing is uploaded to a server.
RAF vs DNG
What changes from RAF to DNG
Encoding: the RAF uses uncompressed or lossless compressed sensor data in Fujifilm's own container; DNG uses lossless (or lossy) JPEG-compressed sensor data, plus optional JPEG previews, and the download is a Linear DNG: demosaiced 8-bit RGB with the colour matrices raw editors need.
Bit depth: 12 to 16 bits per channel depending on the camera in the RAF; DNG allows 8 to 16 bits per channel, and the DNG written here has 8 bits per channel, linearised. The sensor's 12 to 16 bits are not used: the 8-bit camera preview is converted.
Colour: camera RGB from an X-Trans 6×6 or Bayer 2×2 mosaic in the RAF; DNG supports camera RGB plus the colour matrices that map it to XYZ (demosaiced linear RGB in a Linear DNG), written here as 8-bit sRGB.
Metadata: the RAF can carry EXIF and Fujifilm maker notes, including the Film Simulation; DNG can carry EXIF, XMP and DNG tags for colour matrices, calibration and lens corrections, but nothing is copied across.
About RAF
RAF is the raw format of Fujifilm cameras, from the X series to the medium-format GFX. Most X-series bodies use an X-Trans sensor with a 6×6 colour filter pattern instead of the usual Bayer 2×2.
RAF is not TIFF at the top level: it opens with the text 'FUJIFILMCCD-RAW', then a header with the camera model and offsets to three blocks: a JPEG preview near the start of the file, a header describing the sensor layout, and the sensor data.
RAF files usually come from Fujifilm X-T, X-H, X-S, X-E, X100 and GFX cameras.
About DNG
DNG is Adobe's openly documented raw format. Some cameras and phones record it directly, Adobe DNG Converter turns other brands' raw files into it, and a Linear DNG holds already-demosaiced RGB that raw editors treat like any other raw file.
DNG is built on TIFF/EP. The raw image sits in a sub-IFD marked as the main image, with tags for black and white levels, colour matrices and the colour filter pattern; a Linear DNG (PhotometricInterpretation 34892) stores demosaiced RGB instead of a mosaic. Previews are optional, and Adobe DNG Converter can write a medium (1024 px), full-size or no preview.
When converting RAF to DNG makes sense
DNG is the better choice for raw editing and archiving raw files in an open format, while RAF suits editing Fujifilm photos in a raw developer.
DNG strengths: Open specification read by every raw editor; Lossless compression and optional previews; Recorded directly by Leica, Pentax, DJI drones and phones. Drawbacks to weigh: Large files; No browser or ordinary photo viewer support on every platform.
Limitations
- X-Trans sensor data is never demosaiced here, so none of the artefacts some raw developers produce from it appear.
- The DNG holds the decoded 8-bit pixels, so it adds no dynamic range or detail beyond the RAF.
- Raw editors apply their own default profile and tone curve to a DNG, so it can look slightly different from the source until you adjust it.
- A Linear DNG has no sensor mosaic, so demosaicing settings in your raw editor have no effect on it.
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Frequently asked questions
Does converting RAF to DNG lose quality?
DNG is written uncompressed, so the pixels are stored exactly as decoded. Those pixels come from the camera's JPEG preview, so its compression stays, but nothing new is lost. The sensor's 12 to 16 bits are not used: the 8-bit camera preview is converted.
Can Lightroom edit this DNG like a camera raw file?
It opens with the full raw controls in Lightroom, Photoshop Camera Raw, Capture One and darktable, because it is a valid Linear DNG. It holds the decoded 8-bit pixels, though, so it has no more dynamic range or detail than the image it came from.
Which apps open DNG files?
Lightroom, Photoshop Camera Raw, Capture One, darktable, RawTherapee, Affinity Photo and macOS Photos. It does not open in web browsers.
Are my images uploaded anywhere?
No. Processing happens inside your browser with WebAssembly and Web Workers. The site only downloads the app code and codecs; your files never leave your device. You can confirm this with the live upload counter on the tool, or in your browser's network panel.
Can I process many files at once?
Yes. Drop a whole selection or folder. Files are processed in parallel on several worker threads, each result can be downloaded on its own, and everything can be saved as one ZIP.
Is it free? Is there a file limit or watermark?
It is free with no account, no watermark and no daily limit. The only limit is your device's memory: very large images (over roughly 100 megapixels) may be refused to keep the tab from crashing.