AVIF to DNG Converter
Convert AVIF to DNG in your browser. AVIF files usually come from image CDNs, modern web build pipelines and some recent phones; DNG is the better fit for raw editing and archiving raw files in an open format. You get a Linear DNG: demosaiced 8-bit RGB with the colour matrices raw editors need. Nothing is uploaded.
- Processed locally
- No upload, no wait
- No sign-up
- No watermark
Drop images here
or choose files · paste with Ctrl/⌘ V
AVIF expected · other image formats also work
How to use AVIF to DNG
- 1
Add your AVIF files: drop them here, choose them, or paste from the clipboard.
- 2
Pick the colour that replaces transparent areas, since DNG has none.
- 3
Click Convert. Each file is decoded and encoded in a background thread on this device.
- 4
Download the .dng files one at a time or together as a ZIP.
Why use Aback Images for avif to dng
Where the DNG goes next
DNG opens in Lightroom, Photoshop Camera Raw, Capture One, darktable, RawTherapee, Affinity Photo and macOS Photos.
DNG next to AVIF
The DNG is written uncompressed, so expect it to be several times larger than the AVIF, which stores lossy or lossless AV1 intra-frame coding.
No new artefacts
AVIF is already lossy, since it stores lossy or lossless AV1 intra-frame coding; the DNG keeps the decoded pixels uncompressed, so this step adds no compression damage of its own.
Processed on your device
Your images are decoded, edited and encoded inside this browser tab by Web Workers. Nothing is uploaded to a server.
AVIF vs DNG
What changes from AVIF to DNG
Encoding: the AVIF uses lossy or lossless AV1 intra-frame coding; DNG uses lossless (or lossy) JPEG-compressed sensor data, plus optional JPEG previews, and the download is a Linear DNG: demosaiced 8-bit RGB with the colour matrices raw editors need.
Bit depth: 8, 10 or 12 bits per channel in the AVIF; DNG allows 8 to 16 bits per channel, and the DNG written here has 8 bits per channel, linearised. 10 and 12-bit AVIFs, including HDR ones, are decoded to 8 bits per channel.
Colour: YUV 4:4:4 or 4:2:0 with BT.709, Display P3 or BT.2020 primaries, HDR curves possible in the AVIF; DNG supports camera RGB plus the colour matrices that map it to XYZ (demosaiced linear RGB in a Linear DNG), written here as 8-bit sRGB.
Transparency: the AVIF stores it as an auxiliary AV1 image stored beside the colour image; the DNG has none, so transparent areas are filled with the colour you choose.
Animation: an AV1 image sequence under the 'avis' brand; the DNG holds one image, so only the first frame is converted.
Metadata: the AVIF can carry EXIF, XMP and ICC stored as HEIF items; DNG can carry EXIF, XMP and DNG tags for colour matrices, calibration and lens corrections, but nothing is copied across.
About AVIF
AVIF uses the AV1 video codec for still images. It is the most efficient widely supported format, often half the size of JPEG, with HDR, wide colour and transparency, but encoding is slow.
An AVIF is a HEIF file, the same ISO base media boxes as MP4, with the brand 'avif'. The picture is an AV1 key frame stored as an image item, and its size, colour and pixel layout are item properties.
AVIF files usually come from image CDNs, modern web build pipelines and some recent phones.
About DNG
DNG is Adobe's openly documented raw format. Some cameras and phones record it directly, Adobe DNG Converter turns other brands' raw files into it, and a Linear DNG holds already-demosaiced RGB that raw editors treat like any other raw file.
DNG is built on TIFF/EP. The raw image sits in a sub-IFD marked as the main image, with tags for black and white levels, colour matrices and the colour filter pattern; a Linear DNG (PhotometricInterpretation 34892) stores demosaiced RGB instead of a mosaic. Previews are optional, and Adobe DNG Converter can write a medium (1024 px), full-size or no preview.
When converting AVIF to DNG makes sense
DNG is the better choice for raw editing and archiving raw files in an open format, while AVIF suits maximum compression on modern websites.
DNG strengths: Open specification read by every raw editor; Lossless compression and optional previews; Recorded directly by Leica, Pentax, DJI drones and phones. Drawbacks to weigh: Large files; No browser or ordinary photo viewer support on every platform.
Limitations
- Almost any other format needs more bytes than AVIF for the same picture, so expect the file to grow.
- HDR and wide-gamut AVIFs are mapped to standard sRGB on decode, so very bright highlights can look flatter than on an HDR screen.
- The DNG holds the decoded 8-bit pixels, so it adds no dynamic range or detail beyond the AVIF.
- Raw editors apply their own default profile and tone curve to a DNG, so it can look slightly different from the source until you adjust it.
- A Linear DNG has no sensor mosaic, so demosaicing settings in your raw editor have no effect on it.
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Frequently asked questions
Does converting AVIF to DNG lose quality?
DNG is written uncompressed, so the pixels are stored exactly as decoded. Artefacts already in the AVIF stay, but nothing new is lost. 10 and 12-bit AVIFs, including HDR ones, are decoded to 8 bits per channel.
What happens to transparency when converting AVIF to DNG?
AVIF stores transparency as an auxiliary AV1 image stored beside the colour image. DNG has no alpha channel, so transparent pixels are composited onto a solid colour, white unless you pick another. To keep transparency, convert to PNG, WebP or AVIF instead.
Will my animated AVIF stay animated?
No. DNG holds a single image, so only the first frame is kept. Convert to animated WebP, APNG or GIF to keep the motion, or export every frame with the GIF Frame Extractor.
Can Lightroom edit this DNG like a camera raw file?
It opens with the full raw controls in Lightroom, Photoshop Camera Raw, Capture One and darktable, because it is a valid Linear DNG. It holds the decoded 8-bit pixels, though, so it has no more dynamic range or detail than the image it came from.
Which apps open DNG files?
Lightroom, Photoshop Camera Raw, Capture One, darktable, RawTherapee, Affinity Photo and macOS Photos. It does not open in web browsers.
Are my images uploaded anywhere?
No. Processing happens inside your browser with WebAssembly and Web Workers. The site only downloads the app code and codecs; your files never leave your device. You can confirm this with the live upload counter on the tool, or in your browser's network panel.
Can I process many files at once?
Yes. Drop a whole selection or folder. Files are processed in parallel on several worker threads, each result can be downloaded on its own, and everything can be saved as one ZIP.
Is it free? Is there a file limit or watermark?
It is free with no account, no watermark and no daily limit. The only limit is your device's memory: very large images (over roughly 100 megapixels) may be refused to keep the tab from crashing.