AVIF to ARW Converter
Convert AVIF to ARW in your browser. You download a Linear DNG (.dng), not a .arw: only a Sony camera can create a genuine ARW, and every editor that opens ARW also opens DNG. Nothing is uploaded.
- Processed locally
- No upload, no wait
- No sign-up
- No watermark
Drop images here
or choose files · paste with Ctrl/⌘ V
AVIF expected · other image formats also work
How to use AVIF to ARW
- 1
Add your AVIF files: drop them here, choose them, or paste from the clipboard.
- 2
Pick the colour that replaces transparent areas, since DNG has none.
- 3
Click Convert. Each file is decoded and encoded in a background thread on this device.
- 4
Download the .dng files one at a time or together as a ZIP.
Why use Aback Images for avif to arw
Where a ARW would go
ARW files are opened by Sony Imaging Edge, Lightroom, Photoshop Camera Raw, Capture One and darktable, and every one of them opens the DNG too.
DNG next to AVIF
The DNG is written uncompressed, so expect it to be several times larger than the AVIF, which stores lossy or lossless AV1 intra-frame coding.
No new artefacts
AVIF is already lossy, since it stores lossy or lossless AV1 intra-frame coding; the DNG keeps the decoded pixels uncompressed, so this step adds no compression damage of its own.
Processed on your device
Your images are decoded, edited and encoded inside this browser tab by Web Workers. Nothing is uploaded to a server.
AVIF vs ARW
What changes from AVIF to ARW
Encoding: the AVIF uses lossy or lossless AV1 intra-frame coding; ARW uses Sony's lossy compressed raw, uncompressed (since the A7R II) or lossless compressed (since the A1), and the download is a Linear DNG: demosaiced 8-bit RGB with the colour matrices raw editors need.
Bit depth: 8, 10 or 12 bits per channel in the AVIF; ARW allows 12 or 14 bits per channel, and the DNG written here has 8 bits per channel, linearised. 10 and 12-bit AVIFs, including HDR ones, are decoded to 8 bits per channel.
Colour: YUV 4:4:4 or 4:2:0 with BT.709, Display P3 or BT.2020 primaries, HDR curves possible in the AVIF; ARW supports camera RGB from a Bayer mosaic, written here as 8-bit sRGB.
Transparency: the AVIF stores it as an auxiliary AV1 image stored beside the colour image; the DNG has none, so transparent areas are filled with the colour you choose.
Animation: an AV1 image sequence under the 'avis' brand; the DNG holds one image, so only the first frame is converted.
Metadata: the AVIF can carry EXIF, XMP and ICC stored as HEIF items; ARW can carry EXIF, Sony maker notes, a thumbnail and a full-size JPEG, but nothing is copied across.
About AVIF
AVIF uses the AV1 video codec for still images. It is the most efficient widely supported format, often half the size of JPEG, with HDR, wide colour and transparency, but encoding is slow.
An AVIF is a HEIF file, the same ISO base media boxes as MP4, with the brand 'avif'. The picture is an AV1 key frame stored as an image item, and its size, colour and pixel layout are item properties.
AVIF files usually come from image CDNs, modern web build pipelines and some recent phones.
About ARW
ARW is the raw format of Sony Alpha, RX and Cyber-shot cameras. It stores the sensor data (compressed, uncompressed or lossless compressed, depending on the model) with a full-size JPEG preview.
ARW is TIFF-based: the first directory carries EXIF and Sony's JPEG preview and the sensor data sits in a sub-directory. In Sony's classic compressed raw each block of 16 same-colour pixels keeps an 11-bit maximum and minimum plus 7-bit steps for the rest, which can leave artefacts beside high-contrast edges.
ARW files come from Sony Alpha mirrorless and SLT cameras, RX compacts and some Cyber-shot models.
When converting AVIF to ARW makes sense
Forms and workflows that ask for ARW usually feed a raw editor, and each of those opens DNG as well, so the DNG can take the ARW's place. Keep the AVIF if you only need to view or share the picture.
What ARW offers when it comes straight from the camera: A full-size JPEG preview from the camera; Lossless compressed raw on recent bodies; Wide support across Sony's long Alpha line. Its drawbacks: Sony's classic compressed mode is lossy; Uncompressed files of 60 MB and more on high-resolution bodies; Creative Looks are ignored by most third-party raw editors.
Limitations
- Almost any other format needs more bytes than AVIF for the same picture, so expect the file to grow.
- HDR and wide-gamut AVIFs are mapped to standard sRGB on decode, so very bright highlights can look flatter than on an HDR screen.
- The DNG holds the decoded 8-bit pixels, so it adds no dynamic range or detail beyond the AVIF.
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Frequently asked questions
Why do I get a .dng file instead of a .arw?
A real ARW is written by Sony cameras and holds the sensor's own readings (12 or 14 bits per channel, stored as Sony's lossy compressed raw, uncompressed (since the A7R II) or lossless compressed (since the A1)) along with EXIF, Sony maker notes, a thumbnail and a full-size JPEG. An AVIF holds no sensor data, so no software outside the camera can create a genuine ARW. The Linear DNG you get instead is Adobe's open raw format, and every editor that opens ARW files opens it with the same raw controls. It holds decoded pixels, so it adds no quality or dynamic range.
Does converting AVIF to ARW lose quality?
DNG is written uncompressed, so the pixels are stored exactly as decoded. Artefacts already in the AVIF stay, but nothing new is lost. 10 and 12-bit AVIFs, including HDR ones, are decoded to 8 bits per channel.
What happens to transparency when converting AVIF to ARW?
AVIF stores transparency as an auxiliary AV1 image stored beside the colour image. DNG has no alpha channel, so transparent pixels are composited onto a solid colour, white unless you pick another. To keep transparency, convert to PNG, WebP or AVIF instead.
Will my animated AVIF stay animated?
No. DNG holds a single image, so only the first frame is kept. Convert to animated WebP, APNG or GIF to keep the motion, or export every frame with the GIF Frame Extractor.
Are my images uploaded anywhere?
No. Processing happens inside your browser with WebAssembly and Web Workers. The site only downloads the app code and codecs; your files never leave your device. You can confirm this with the live upload counter on the tool, or in your browser's network panel.
Can I process many files at once?
Yes. Drop a whole selection or folder. Files are processed in parallel on several worker threads, each result can be downloaded on its own, and everything can be saved as one ZIP.
Is it free? Is there a file limit or watermark?
It is free with no account, no watermark and no daily limit. The only limit is your device's memory: very large images (over roughly 100 megapixels) may be refused to keep the tab from crashing.