NEF to ARW Converter
Convert NEF to ARW in your browser. You download a Linear DNG (.dng), not a .arw: only a Sony camera can create a genuine ARW, and every editor that opens ARW also opens DNG. Nothing is uploaded.
- Processed locally
- No upload, no wait
- No sign-up
- No watermark
Drop images here
or choose files · paste with Ctrl/⌘ V
RAW expected · other image formats also work
How to use NEF to ARW
- 1
Add your NEF files: drop them here, choose them, or paste from the clipboard.
- 2
There is nothing to tune: the DNG is written uncompressed. Resizing and rotating are under More options if you need them.
- 3
Click Convert. Each file is decoded and encoded in a background thread on this device.
- 4
Download the .dng files one at a time or together as a ZIP.
Why use Aback Images for nef to arw
Where a ARW would go
ARW files are opened by Sony Imaging Edge, Lightroom, Photoshop Camera Raw, Capture One and darktable, and every one of them opens the DNG too.
DNG next to NEF
The DNG stores the camera preview's pixels uncompressed, so it can be as large as the 20 to 60 MB raw file, or larger, depending on the preview's resolution.
No new artefacts
The preview inside the NEF is a camera JPEG; the DNG stores its decoded pixels uncompressed, so this step adds no compression damage of its own.
Processed on your device
Your images are decoded, edited and encoded inside this browser tab by Web Workers. Nothing is uploaded to a server.
NEF vs ARW
What changes from NEF to ARW
Encoding: the NEF uses uncompressed, lossless compressed, lossy compressed, or High Efficiency on recent Z bodies; ARW uses Sony's lossy compressed raw, uncompressed (since the A7R II) or lossless compressed (since the A1), and the download is a Linear DNG: demosaiced 8-bit RGB with the colour matrices raw editors need.
Bit depth: 12 or 14 bits per channel in the NEF; ARW allows 12 or 14 bits per channel, and the DNG written here has 8 bits per channel, linearised. The sensor's 12 or 14 bits are not used: the 8-bit camera preview is converted.
Colour: camera RGB from a Bayer mosaic in the NEF; ARW supports camera RGB from a Bayer mosaic, written here as 8-bit sRGB.
Metadata: the NEF can carry EXIF and Nikon maker notes, partly encrypted, plus a thumbnail and a larger preview; ARW can carry EXIF, Sony maker notes, a thumbnail and a full-size JPEG, but nothing is copied across.
About NEF
NEF is the raw format of Nikon cameras, from the D1 to the current Z series. It stores 12 or 14-bit sensor data, uncompressed or compressed, with a JPEG preview the camera renders using its Picture Control.
NEF is TIFF-based: the first directory usually holds a small thumbnail, and sub-directories hold the sensor data and, on current bodies, a full-size JPEG preview. Nikon's maker notes are a TIFF structure of their own, and since the D2X their white-balance block is encrypted with a key derived from the camera's serial number and shutter count.
NEF files usually come from Nikon DSLRs (D-series) and Z-series mirrorless cameras.
About ARW
ARW is the raw format of Sony Alpha, RX and Cyber-shot cameras. It stores the sensor data (compressed, uncompressed or lossless compressed, depending on the model) with a full-size JPEG preview.
ARW is TIFF-based: the first directory carries EXIF and Sony's JPEG preview and the sensor data sits in a sub-directory. In Sony's classic compressed raw each block of 16 same-colour pixels keeps an 11-bit maximum and minimum plus 7-bit steps for the rest, which can leave artefacts beside high-contrast edges.
ARW files come from Sony Alpha mirrorless and SLT cameras, RX compacts and some Cyber-shot models.
When converting NEF to ARW makes sense
Forms and workflows that ask for ARW usually feed a raw editor, and each of those opens DNG as well, so the DNG can take the ARW's place. Keep the NEF if you only need to view or share the picture.
What ARW offers when it comes straight from the camera: A full-size JPEG preview from the camera; Lossless compressed raw on recent bodies; Wide support across Sony's long Alpha line. Its drawbacks: Sony's classic compressed mode is lossy; Uncompressed files of 60 MB and more on high-resolution bodies; Creative Looks are ignored by most third-party raw editors.
Limitations
- The largest embedded JPEG is converted; older bodies sometimes stored only a reduced preview, which then sets the output size.
- Nikon's lossy compressed NEF mode discards some sensor data in camera; the preview used here is not affected.
- The DNG holds the decoded 8-bit pixels, so it adds no dynamic range or detail beyond the NEF.
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Frequently asked questions
Why do I get a .dng file instead of a .arw?
A real ARW is written by Sony cameras and holds the sensor's own readings (12 or 14 bits per channel, stored as Sony's lossy compressed raw, uncompressed (since the A7R II) or lossless compressed (since the A1)) along with EXIF, Sony maker notes, a thumbnail and a full-size JPEG. This converter reads the JPEG preview inside the NEF, not its sensor data, so it cannot make one either. The Linear DNG you get instead is Adobe's open raw format, and every editor that opens ARW files opens it with the same raw controls. It holds decoded pixels, so it adds no quality or dynamic range.
Are my images uploaded anywhere?
No. Processing happens inside your browser with WebAssembly and Web Workers. The site only downloads the app code and codecs; your files never leave your device. You can confirm this with the live upload counter on the tool, or in your browser's network panel.
Can I process many files at once?
Yes. Drop a whole selection or folder. Files are processed in parallel on several worker threads, each result can be downloaded on its own, and everything can be saved as one ZIP.
Is it free? Is there a file limit or watermark?
It is free with no account, no watermark and no daily limit. The only limit is your device's memory: very large images (over roughly 100 megapixels) may be refused to keep the tab from crashing.