CR2 to EXR Converter
Convert CR2 to EXR in your browser. The large JPEG preview in the first directory is what gets converted; it carries the Picture Style that was active when you shot. No raw development happens here. You get a ZIP-compressed OpenEXR with 16-bit half-float channels, the 8-bit sRGB values converted to linear light. Nothing is uploaded.
- Processed locally
- No upload, no wait
- No sign-up
- No watermark
Drop images here
or choose files · paste with Ctrl/⌘ V
RAW expected · other image formats also work
How to use CR2 to EXR
- 1
Add your CR2 files: drop them here, choose them, or paste from the clipboard.
- 2
There is nothing to tune: the EXR is written losslessly. Resizing and rotating are under More options if you need them.
- 3
Click Convert. Each file is decoded and encoded in a background thread on this device.
- 4
Download the .exr files one at a time or together as a ZIP.
Why use Aback Images for cr2 to exr
Where the EXR goes next
EXR opens in Nuke, Blender, Houdini, After Effects, DaVinci Resolve, Photoshop, Krita and OpenImageIO.
EXR next to CR2
The EXR holds the camera preview's pixels with lossless compression: usually smaller than a 20 to 50 MB raw file, though far larger than a JPEG of the same photo.
No new artefacts
The preview inside the CR2 is a camera JPEG; the EXR stores its decoded pixels losslessly, so this step adds no compression damage of its own.
Processed on your device
Your images are decoded, edited and encoded inside this browser tab by Web Workers. Nothing is uploaded to a server.
CR2 vs EXR
What changes from CR2 to EXR
Encoding: the CR2 uses lossless JPEG-compressed sensor data, cut into vertical slices; EXR uses none, RLE, ZIP, PIZ, PXR24, B44 or DWA, chosen per file, and the download is a ZIP-compressed OpenEXR with 16-bit half-float channels, the 8-bit sRGB values converted to linear light.
Bit depth: 12 or 14 bits per channel in the CR2; EXR allows 16-bit half or 32-bit floating point per channel, and the EXR written here has 16-bit half float per channel. The sensor's 14 bits are not used: the 8-bit camera preview is converted.
Colour: camera RGB from a Bayer mosaic, with the Picture Style recorded in the maker notes in the CR2; EXR supports scene-linear RGB, often ACEScg or linear Rec.709, written here as linear-light RGB.
Metadata: the CR2 can carry EXIF, Canon maker notes (Picture Style, lens, focus points) and the embedded previews; EXR can carry named header attributes such as chromaticities, timecode and camera data, but nothing is copied across.
About CR2
CR2 is the raw format of Canon EOS cameras from 2004 until CR3 replaced it in 2018. It holds the sensor's 12 or 14-bit readings, losslessly compressed, plus a large JPEG preview rendered with the camera's Picture Style.
CR2 is TIFF-based: the TIFF header is followed by the letters 'CR' and version 2.0, then four image directories: a large JPEG preview with the EXIF block, a 160×120 thumbnail, a small uncompressed RGB image, and the sensor data as lossless JPEG cut into vertical slices.
CR2 files usually come from Canon EOS DSLRs made from 2004 to 2018, such as the 5D Mark II and III, 6D, 7D and the Rebel series.
About EXR
OpenEXR is the high dynamic range format of film visual effects. It stores half or full floating-point channels in linear light, plus any extra render passes, and is the working format of compositing pipelines.
An EXR starts with the magic number 76 2F 31 01 and a version field, then a header of named, typed attributes (channels, compression, dataWindow, displayWindow) and a table of offsets to scanline or tile blocks.
When converting CR2 to EXR makes sense
EXR is the better choice for visual effects, compositing and 3D render output, while CR2 suits editing Canon photos in a raw developer.
EXR strengths: True high dynamic range in linear light; Any number of channels and render passes; Lossless compression options. Drawbacks to weigh: Needs tone mapping to look right on a normal screen; Very large files; No browser or phone support.
Limitations
- The 14-bit sensor data, with its highlight and shadow latitude, is not developed here; use a raw editor when you need to recover detail.
- No range is added: the EXR holds the 8-bit picture in linear light, and nothing in it is brighter than the original white.
- Compositing and 3D software read the EXR as linear light, the convention for the format, so it displays correctly there.
- The file holds colour and, when the image has transparency, an alpha channel; there are no extra render passes.
More conversions
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Frequently asked questions
Does converting CR2 to EXR lose quality?
EXR is written losslessly, so the pixels are stored exactly as decoded. Those pixels come from the camera's JPEG preview, so its compression stays, but nothing new is lost. The sensor's 14 bits are not used: the 8-bit camera preview is converted.
Does saving as EXR add dynamic range?
No. The values come from an 8-bit image, converted to linear light so compositing software displays them correctly, but nothing brighter than the original white is invented. The file is ready to use as a plate or texture in an EXR pipeline.
Which apps open EXR files?
Nuke, Blender, Houdini, After Effects, DaVinci Resolve, Photoshop, Krita and OpenImageIO. It does not open in web browsers.
Are my images uploaded anywhere?
No. Processing happens inside your browser with WebAssembly and Web Workers. The site only downloads the app code and codecs; your files never leave your device. You can confirm this with the live upload counter on the tool, or in your browser's network panel.
Can I process many files at once?
Yes. Drop a whole selection or folder. Files are processed in parallel on several worker threads, each result can be downloaded on its own, and everything can be saved as one ZIP.
Is it free? Is there a file limit or watermark?
It is free with no account, no watermark and no daily limit. The only limit is your device's memory: very large images (over roughly 100 megapixels) may be refused to keep the tab from crashing.