CR2 to EPS Converter
Convert CR2 to EPS in your browser. The large JPEG preview in the first directory is what gets converted; it carries the Picture Style that was active when you shot. No raw development happens here. You get an EPS that wraps the pixels as a PostScript image; it contains no vector paths. Nothing is uploaded.
- Processed locally
- No upload, no wait
- No sign-up
- No watermark
Drop images here
or choose files · paste with Ctrl/⌘ V
RAW expected · other image formats also work
How to use CR2 to EPS
- 1
Add your CR2 files: drop them here, choose them, or paste from the clipboard.
- 2
There is nothing to tune: the EPS is written uncompressed. Resizing and rotating are under More options if you need them.
- 3
Click Convert. Each file is decoded and encoded in a background thread on this device.
- 4
Download the .eps files one at a time or together as a ZIP.
Why use Aback Images for cr2 to eps
Where the EPS goes next
EPS opens in Illustrator, CorelDRAW, InDesign, Affinity Designer, Ghostscript, and Inkscape through Ghostscript.
EPS next to CR2
The EPS stores the camera preview's pixels uncompressed, so it can be as large as the 20 to 50 MB raw file, or larger, depending on the preview's resolution.
No new artefacts
The preview inside the CR2 is a camera JPEG; the EPS stores its decoded pixels uncompressed, so this step adds no compression damage of its own.
Processed on your device
Your images are decoded, edited and encoded inside this browser tab by Web Workers. Nothing is uploaded to a server.
CR2 vs EPS
What changes from CR2 to EPS
Encoding: the CR2 uses lossless JPEG-compressed sensor data, cut into vertical slices; EPS uses PostScript program text, with an optional binary TIFF preview or an EPSI hex preview, and the download is an EPS that wraps the pixels as a PostScript image; it contains no vector paths.
Bit depth: 12 or 14 bits per channel in the CR2; EPS allows resolution-independent artwork, with previews usually 8-bit, and the EPS written here has 8 bits per channel. The sensor's 14 bits are not used: the 8-bit camera preview is converted.
Colour: camera RGB from a Bayer mosaic, with the Picture Style recorded in the maker notes in the CR2; EPS supports CMYK, RGB and spot colours, written here as 8-bit sRGB.
Metadata: the CR2 can carry EXIF, Canon maker notes (Picture Style, lens, focus points) and the embedded previews; EPS can carry DSC comments such as %%BoundingBox, %%Creator and %%Title, but nothing is copied across.
About CR2
CR2 is the raw format of Canon EOS cameras from 2004 until CR3 replaced it in 2018. It holds the sensor's 12 or 14-bit readings, losslessly compressed, plus a large JPEG preview rendered with the camera's Picture Style.
CR2 is TIFF-based: the TIFF header is followed by the letters 'CR' and version 2.0, then four image directories: a large JPEG preview with the EXIF block, a 160×120 thumbnail, a small uncompressed RGB image, and the sensor data as lossless JPEG cut into vertical slices.
CR2 files usually come from Canon EOS DSLRs made from 2004 to 2018, such as the 5D Mark II and III, 6D, 7D and the Rebel series.
About EPS
EPS is a PostScript drawing packaged for placing inside other documents. It was the exchange format of print and logo design for decades; most EPS files also carry a raster preview so layout software can show them.
An EPS is a PostScript program with DSC comments ('%!PS-Adobe-3.0 EPSF-3.0', %%BoundingBox). Files from Illustrator, Photoshop and CorelDRAW usually start with a 30-byte binary header (C5 D0 D3 C6) that points to a TIFF preview; others carry an EPSI hex preview between %%BeginPreview and %%EndPreview.
When converting CR2 to EPS makes sense
EPS is the better choice for print artwork and logos for professional layout software, while CR2 suits editing Canon photos in a raw developer.
EPS strengths: Vector artwork that prints at any size; Accepted by print shops and older layout software; CMYK and spot colours. Drawbacks to weigh: Browsers and phones cannot display it; Needs a PostScript interpreter to render the vector data; Superseded by PDF and SVG.
Limitations
- The 14-bit sensor data, with its highlight and shadow latitude, is not developed here; use a raw editor when you need to recover detail.
- The EPS holds pixels inside a PostScript wrapper, so it prints at the resolution of your image and will not get sharper when enlarged.
- Transparency is flattened onto the background colour, because the EPS image has no alpha channel.
More conversions
Related tools
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Convert PNG to EPS in your browser, with transparency filled in a colour you pick. Batch, private, no uploads.
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Convert between 34 image formats in bulk: HEIC, WebP, AVIF, JPEG XL, PNG, JPG, GIF, TIFF, SVG, ICO, PSD, RAW and more.
Frequently asked questions
Does converting CR2 to EPS lose quality?
EPS is written uncompressed, so the pixels are stored exactly as decoded. Those pixels come from the camera's JPEG preview, so its compression stays, but nothing new is lost. The sensor's 14 bits are not used: the 8-bit camera preview is converted.
Is the EPS a vector file?
No. The EPS wraps the pixels as a PostScript image, which is what layout and print software need to place it, but it has no vector paths, so it does not get sharper when enlarged. For real vectors, trace the image to SVG first.
Which apps open EPS files?
Illustrator, CorelDRAW, InDesign, Affinity Designer, Ghostscript, and Inkscape through Ghostscript. It does not open in web browsers.
Are my images uploaded anywhere?
No. Processing happens inside your browser with WebAssembly and Web Workers. The site only downloads the app code and codecs; your files never leave your device. You can confirm this with the live upload counter on the tool, or in your browser's network panel.
Can I process many files at once?
Yes. Drop a whole selection or folder. Files are processed in parallel on several worker threads, each result can be downloaded on its own, and everything can be saved as one ZIP.
Is it free? Is there a file limit or watermark?
It is free with no account, no watermark and no daily limit. The only limit is your device's memory: very large images (over roughly 100 megapixels) may be refused to keep the tab from crashing.